These updates aren’t necessarily related; there’s just a lot happening in my life right now. First off, I just made the pre-order live for the new Guante & Katrah-Quey album, “Post-Post-Race.” If you preorder it, you get an instant download of my FAVORITE new song from the project: “Our Relationship is a Slowly Gentrifying Neighborhood” featuring the incredible Jayanthi Kyle!

Post-Post-Race by Guante & Katrah-Quey

And don’t forget: our release show is coming up on Thursday, 3/3 at the Whole Music Club, and it’s going to be something really special. All of the performers are also guests on the album, and they’re all people I have endless respect for both as artists and as people who “walk the walk” when it comes to the issues that the album is tackling. Check out the Facebook event page here. It’s free and all-ages too!

This would normally be a separate post because getting a poem up on Button’s channel is a pretty big deal, but like I said, these are tumultuous times so I’m just going to put this here. They got footage of my poem “Small Talk” from Sierra DeMulder’s book release show. This is a very personal poem I wrote about art, identity, and profound introversion.

If you missed it, I have ANOTHER new poem up at my own channel, brand new footage of “The Invisible Backpacker of Privilege,” which is a great introduction to the themes explored on the new album.

Finally, a reminder that the Be Heard MN Youth Poetry Slam series is heading into semifinals this month— 3/5 at the Loft Literary Center, and 3/12 at the MacPhail Center for Music. Finals are coming up too– 3/26 at the Walker Art Center. All three of these shows are going to be amazing; I’ve said it before but it bears repeating: these young artists (all between 13 and 19) are mind-bogglingly talented, and deserve our support!


Brand new video for an older poem courtesy of Patrick Pegg. Full text after the jump. I usually like to let the poems or songs speak for themselves, but a few background points on this one:

1. I’m trying to walk a pretty fine line in this poem. The argument that hip hop is a rainbow-colored racial utopia isn’t true. And the argument that white people have no place whatsoever in hip hop is an increasingly abstract, academic one. Both of these arguments, however, are easier to stand behind than what I’m trying to actually say. I think it’s important to recognize the facts on-the-ground, while at the same time being careful not to excuse anyone or cop pleas; we have to understand the history of cultural imperialism, and we also have to know how that history interfaces with what is happening right now. The ending of the piece is intentionally layered/muddy.

2. White privilege as a symptom of white supremacy plays out in many different spaces. When I was more actively doing social justice education/facilitation stuff, a common argument among students was that white people lose their privilege when they become the minority, or visit another country, or whatever. Part of this poem is pushing back against that idea. Even in hip hop, a culture created by and still driven by people of color, white privilege plays out– that’s kind of a central message in this piece. It’s also about pushing the “privilege framework” a little further and complicating the idea of “allyship.” The key line in the poem, for me, “what is the difference between acknowledging your privilege and acting on that acknowledgement?”

3. My perspective in this poem is also complex– I’m speaking as a white MC, while also speaking as a mixed-race, white-presenting MC; beyond that, I’m speaking as a practitioner. While the racial identity stuff might get more attention in this poem, that last point is really important to me. I think it’s important for practitioners (active, involved MCs, DJs, b-boys, b-girls, etc.) to be driving these conversations, not just think-piece writers and bloggers.

4. The title is confusing, yeah. I have a SONG called “The Invisible Backpacker of Privilege” too; plus the older version of this poem was called “Confessions of a White Rapper.” I decided to use the former title for both the song and the poem– partly because I just think it’s more clever (“backpacker” being casual slang for underground hip hop fan, and the whole title riffing off Peggy McIntosh’s “invisible knapsack metaphor), but also because I wasn’t super comfortable with the old title– didn’t want it to push into “isn’t it so novel and amazing that white kids rap?!” clickbait territory.

5. Finally, this poem isn’t on the new album, but it is a great introduction to the ideas and themes explored on it. Reminder: the release show is 3/3 at the Whole Music Club in MPLS (free and all ages!), and here’s something special: the full tracklist featuring song titles and guest vocalists:

THE INVISIBLE BACKPACKER OF PRIVILEGE

A pocketful of props, a quick pound and a handshake
A free mixtape, a highway through a landscape
as far from the Bronx as heaven is
Moment of uncertainty, moment of clarity, moment of hesitance
A bio with a spark a truth,
a couple sharpies, Party Music and The Carter Two
Labcabincalifornia, Illmatic and Headshots,
A couple handbills left in the back of a reststop,
A rhymebook, a sticker with my name on it
stickin’ through the rain washin’ all the other flyers down;
hoodie up, fitted to the side, bottled water, last minute to decide
setlists, rep this: livin’ for the rhyme
but moreso for what that rhyme represents:
forty-five minutes of our lives to connect
Broken hearts over breakbeats, live and direct
from the belly of the beast, strivin’ to get free…

The Invisible Backpacker of Privilege; OR: Confessions of a White Rapper:

1. KRS-ONE says there are nine elements of hip hop, a solar system of art, and fashion, and innovation orbiting an inferno. Some promoters will book me over a black rapper because they don’t want to attract the wrong element.

2. It is easier for me to get a buzz going because most bloggers, radio DJs, publicists, music journalists, videographers and booking agents are white. And I don’t even really identify as Caucasian; I’m mixed. But that usually doesn’t fit on the flyer.

3. Listeners, who are often white, and identify with me because of it, actively seek out meaning in my music, rather than just looking for a good beat to dance to. And I will readily admit: I am very talented. But is that talent the reason you bought my album, the reason you came to my show, the reason you want this interview? I will never know.

4. I can code-switch on a dime. We developed warp technology years ago and will leave this solar system as soon as we find a more fashionable one.

5. My music can be perceived as rebellious because it’s hip hop, but safe because of my skin. Fans and listeners get to engage with an oppositional culture without ever leaving their racialized comfort zones. Tarzan is the king of the jungle. Tom Cruise is the last samurai. Michael J. Fox goes back in time and invents rock and roll in 1955.

6. The thing about stealing is that it’s addictive. A little here. A little more. And we all know it’s not wrong to steal to feed your starving family… and white kids in America are hungry.

Whose food are they eating? Whose food are you eating? Whose food am I eating?

7. Maybe white people don’t belong in hip hop. But white people don’t really belong in America, when you think about it. So these questions remain: what is the difference between acknowledging your privilege and doing something about that acknowledgment? How do we move forward? How do we define progress? Who is we? Who should be we? Who deserves to belong in the category we?

8. When I say one small step for man, you say one giant leap for mankind. Just remember whose planet you’re standing on.

9. The code of the white rapper is this: know the history, build community, put people on. And if they ever make you a monument, scratch your name out. Break it. Spit on it. Burn it.

We are not tourists, but we are also not the native inhabitants of this land. Aliens. Invaders. Put your hands up. Put your fucking hands up.

The brand new album features beats by Katrah-Quey and vocals by me and a bunch of my favorite artists (including Jayanthi Kyle, Lucien Parker, G.P. Jacob, Tish Jones, Tony the Scribe, See More Perspective, and Laresa Avent– who are all performing at the show), all talking about race, racism, and solidarity.
More info coming. For now, here is the event page, and here are the first two singles:

First, I’m not going to say his name. He’s a media personality, so Voldemorting him only works in his favor. Basically, a conservative student organization brought this guy to campus for a talk entitled “CALM DOWN!! Restoring Common Sense to Feminism.” You can probably tell from the casual sexism and double exclamation points that the speakers weren’t exactly titans of scholarship; one of them, however, has become quite famous, so there was some buzz around the event. There were also multiple protest actions.

Rather than write about the guy, or the woman who spoke with him, or the specifics of the actual talk, I wanted to share a few bigger-picture thoughts. I also want to thank Lindsey and Ryan, whose liveblog was helpful (and insightful and kind of hilarious too). Here are a few things on my mind this evening:

1. Anti-feminism isn’t a big movement, but it is dangerous.
A common discussion point in situations like these is free speech. The value of anti-feminist thinkers is often wrapped up in arguments about the fundamental importance of free speech, of universities as places where differing viewpoints can have a platform, and of how critical it is for students to be open-minded and think for themselves. And that’s all well and good.

But a speaker who explicitly says that rape culture isn’t real, or that affirmative consent policies “don’t seem like that much fun” is directly contributing to the normalization of sexual assault; and that has a real impact on real people. We can argue about the precise size of the gender wage gap, and we can disagree about things like trigger warnings and safe spaces– but encouraging a room of 200+ twenty-something men to not take consent seriously crosses a very important line.

How warped does your thinking have to be that “don’t have sex with someone unless it’s clear that they really want to have sex with you” is some grand outrage? That this is seen as a “liberal” position and not just common decency speaks volumes about why sexual assault is still such a problem on college campuses and beyond.

The point here is that these people can’t be ignored away. They must be defeated. On a micro level, that might look like a protest, if only to let the larger community know that not everyone agrees. On a macro level, that means organizing– in physical, educational, and online spaces– proactively and effectively, to shift the larger culture away from that kind of thinking. More on this in point #3.

2. Part of the appeal of anti-feminism is that it provides a scapegoat.
According to the anti-feminist movement, men are increasingly insecure, confused, depressed, or even suicidal, not because of neoliberalism commodifying every aspect of existence, or because of billionaires who keep getting richer while the rest of us struggle to get by, but because of feminism. It follows a certain adorable toddler logic– men have things, but then women want those things too, and then women get greedy and take too much, so now men have less things and they’re sad. It’s easy.

It’s worth quoting Lindy West‘s piece on how so many “Men’s Rights” issues are actually things that feminism is fighting for, not against. Here’s the link (it’s in part four), plus a few excerpts:

Feminists do not want anyone to get raped in prison. Permissiveness and jokes about prison rape are part of rape culture, which is part of patriarchy. 

Feminists do not want anyone to be falsely accused of rape. False rape accusations discredit rape victims, which reinforces rape culture, which is part of patriarchy.

Feminists do not want you to be lonely and we do not hate “nice guys.” The idea that certain people are inherently more valuable than other people because of superficial physical attributes is part of patriarchy.

Feminists do not want you to commit suicide. Any pressures and expectations that lower the quality of life of any gender are part of patriarchy. The fact that depression is characterized as an effeminate weakness, making men less likely to seek treatment, is part of patriarchy.

Feminists hate patriarchy. We do not hate you.

That’s just five points from the 13 that West covers, and I think it gets to an important truth about the current anti-feminist movement: it isn’t made up exclusively of misogynistic monsters (though those certainly do exist). Some of these people are just blaming the wrong thing for their legitimate problems. It’s a matter of education, empathy, and perspective. And, of course, organizing, which leads me to this last point:

3. Part of the power of a “defensive” protest is the “offense” it can spark
When terrible things happen, it’s good to respond to them. “Just ignore them” is, generally, not a good tactic when it comes to things like hate speech. All of that being said, it’s important to connect the in-the-moment action with the organizations who are doing this work every day, and with the proactive efforts that are already happening.

At my school, I can tell people to check out the Women’s Center (and their Feminist Ambassador Brigade), the Gender, Sex & Public Policy Committee at Humphrey, the Aurora Center, Black Motivated Women, the Feminist Student Activist Coalition, SHE, Students for a Democratic Society, the Feminist Book Club, and the whole GWSS department– just for a start (feel free to leave others in the comments). If you’re interested in gender equity work, google them and get involved. Also, a few events coming up:

  • GSPEC is hosting a discussion called “Doxxers and Trolls: Gendered Perspectives on Digital Harassment” on 2/24 at noon in 215 Humphrey. 
  • The Women’s Center is hosting a discussion on “API Herstory” on 3/4 at 10am in 101 Walter Library.
  • The Women’s Center is also bringing in author Sarah Deer to discuss her book “The Beginning and End of Rape” on 4/5 at 7pm in Humphrey’s Cowles Auditorium.

These kinds of spaces are great ways to build power and expand the movement after a “defensive” action like tonight’s protests.

Also, here’s a super down-to-earth example. When I heard about this guy coming to campus, I helped write out this little handout. The idea wasn’t necessarily to hand it to all of the hardcore MRA types who’d be there that night; it was moreso about providing talking points to people who are already down, and maybe (hopefully) providing a little push for the people on the fence. I think organizing is usually less about convincing the people who disagree with you and more about mobilizing the people who agree with you. My posting this on my website and sending it out to my 11k Facebook fans and 7k Twitter followers isn’t any kind of earth-shattering, radical act, but it is an easy, concrete way to take positive advantage of the opportunity that this shitshow created.

It’s about how we use “bad stuff” happening to promote and cultivate the “good stuff,” whether through taking advantage of hot button issues and writing op-eds for the paper, bringing issues up in class, or encouraging people to plug into activist networks. Because there is a lot of “good stuff” happening– at my school, but all over the country too. We’re on the right side of history here; let’s keep building.

Here’s the text of our handout (it fit on one half-page; I’m posting the text rather than the PDF so people can cut/paste/edit). Feel free to steal it. Change stuff, make it work for wherever you’re at; this is just one example of what a document like this can look like:

FREQUENTLY-ASKED QUESTIONS ABOUT FEMINISM

Wait wait wait: isn’t “feminism” about those man-hating trigger warning SJWs PC-policing all of the badass rebel free-thinkers out here?
Feminism is about gender equity. Of course, the movement is complex, and different people have different specific definitions; here are a few.

  • “Simply put, feminism is a movement to end sexism, sexist exploitation, and oppression.” -bell hooks
  • “A feminist is a man or a woman who says, yes, there’s a problem with gender as it is today and we must fix it, we must do better.” -Chimamanda Ngozi Adichie
  • “Whatever feminism you choose — good, bad, flawed, or half-assed — the label isn’t something to fear. It doesn’t mean you want too much or despise men. It means you believe in the equality and rights of everyone.” -Roxane Gay

Gender equity? Don’t we already have that? Isn’t feminism going TOO FAR?
The gender wage gap persists, according to the Pew Research Center (and it’s worse for women of color). Reproductive rights are being rolled back all over the country. Women still face sexual violence, domestic violence, gender-based discrimination, objectification in media, and harassment in the workplace, at school, and on the street.

We don’t even need to argue over statistics; just pay attention to the world. How many politicians, generals, billionaires, CEOs, judges, high-level managers, board members, or other people who hold real power are NOT men? Staggering inequity persists. Is that because men are just inherently more talented and ambitious? Or that women all just choose to not pursue power? Or could it be because women as a demographic face specific, historically-constructed obstacles that men do not face? No one is saying that all men have it easy, or that all women are victims (or even that this is as simple as just “men” and “women”); feminism is about deepening our understanding of how gender (and our other identities) impacts our lives and experiences.

But isn’t feminism about SHOUTING and calling people out and separatism?
Feminists all over the US and beyond are working on issues like preventing domestic violence, defending reproductive rights, supporting survivors of sexual violence, calling for (and creating) more representative media, and striving to create a world in which men, women, and people of any gender identity have equal access to opportunities and are free to be their authentic selves. Furthermore, few feminists are single-issue activists; feminists can be found deeply engaged in the struggles for economic justice, racial justice, LGBTQ rights, and beyond.

This stereotype of feminists as shrieking, ultra-extreme, irrational banshees who hate all men is kind of, well, sexist. Not to mention inaccurate. So why does it persist? Because people who benefit from the status quo (often but not exclusively men- often white, often rich too) want you (especially if you’re a young man) to believe it; they don’t want us all working together. Don’t fall for it.

Why should I listen to you? You’re just a piece of paper!
I agree. Don’t listen to me. Read books, challenge yourself, and connect with people in real life. You don’t have to agree with everything, but doing a little research on what actual, real-life feminists believe (as opposed to some anecdotal story about how some random person on Tumblr was mean) can really demystify the idea. We all benefit from the work of feminists, whether we know it or not. (if you’re using this as a handout, this can be a good place to shout out local organizations, events, or opportunities)