New poem, plus a few related links:

Full text of the new poem is below. Thanks for reading. It goes without saying that poetry is not enough in this moment. But I would push us all (myself included) to take up space IN poetry/art spaces, bring these conversations anywhere they aren’t already happening, and continue trying to shape/shift the narrative. In this context of this call for more anti-ICE poetry, music, visual art, and beyond, the key line in this poem is probably “the call is not to say something perfect; it is to make noise.”

Continue reading ““Discourse” + a call for more anti-ICE art”

a collage of endorsement images: TakeAction MN for Fateh, Davis, and Hampton; TCDSA for Fateh, MPLS for the Many for Fateh #1, Davis #2 and Hampton #3
via TakeAction MN, TCDSA, and MPLS for the Many

In times of crisis and fascism in politics at the national level, it becomes more and more important to engage with politics at the local level. Even for people cynical about electoral politics in general, it should be clear that local government is, at the very least, one piece of the puzzle when it comes to defending our communities and showing up for one another.

Here in Minneapolis, we have a big election coming up this November, and early voting is already open. For any friends or followers who are just tuning in, a few resources:

Continue reading “Election 2025 Minneapolis: Resources for Those Just Tuning In Now”

A table full of resources, with a sign that says "free." Resources include zines and handouts on getting involved with activism, and a copy of "enough is enough: a 150-year performance review of the mpls police dept.

Hey- the news is bad. Things are bad. As an artist (whether that’s a musician, poet, or any other kind of performer or person who shares art publicly), it can be overwhelming when we start to think about our role(s) in all this. When I am overwhelmed, I try to find a small step I can take. This post is about sharing one of those small steps: using arts space as activist space.

There are a million ways to do that, but I’ll keep this post down-to-earth. Here are FIVE examples of activist-oriented handouts, zines, or printed materials you can share, for free, at your merch table. I think part of our work, as artists, is to help get more cool stuff in front of more people. And that includes our art, of course, but it can also include more than that. This is a “small” idea, but its smallness makes it actionable.

A quick note that some of these examples are Minneapolis-focused, but the idea of them can be adapted to other communities, and similar resources already exist in some places.

Continue reading “Five Activist Resources Artists Can Share at Our Merch Tables”

I don’t have time/energy right now to share very much commentary; hopefully people are aware of the news here in Minnesota. Our No Kings rally went forward, and even with authorities telling people not to gather, thousands of people showed up. I shared a poem.

Actually wrote and memorized it last week, but because it ended up being about grief, how we carry it, and what we might do with it, it felt appropriate to share today too. Full text below, for the folks who have been asking for it.

ALSO: please check out the latest post in my FREE email newsletter: What’s next? Things to do after a big march

a photo of KTM/Guante performing at the No Kings St. Paul protest, wearing a shirt that says "believe trans kids"
Continue reading ““no kings, all bricks””

This year was bad! But good work happens during bad years too. As is tradition: a few highlights from 2024, for people who are interested in what I do but may have missed something here or there.

photo of KTM/Guante performing at the Target Center in MPLS, surrounded by thousands of people.

Target Center performance + Grammy (!?)

It’s a long story, but as you may know, I’m on two songs by producer, vocalist, and multi-instrumentalist Fred Again. This year, I got to perform one of those songs, “Kyle (i found you),” with Fred during his MPLS tour stop at the Target Center. Absolutely surreal; that’s what the photo above is from. The other song, “Berwyn (all that I got is you),” is on Fred’s album “Actual Life 3,” which won the Grammy for Best Dance/Electronic Music Album back in February.

My friends try to tell me I should just go ahead and say that I’m “a Grammy-winning artist” since I’m a writer/performer on the album, but the humble midwesterner in me is going to run with “appears on a Grammy-winning album.” Either way, it’s kind of cool and not something I ever expected to happen.

Continue reading “2024 recap: New album, Target Center performance, Grammy (kind of), zines, videos, and more”

Just a quick note that I’ve UPDATED my post sharing links, readings, and resources for people looking to get involved (maybe for the first time) with activism and organizing beyond just voting. It was originally set up in 2022, but has some new content that I’d recommend checking out.

I know not everyone is ready for “okay, so what do we do next?” content, and it’s good to take time to process and feel what we feel. But I made a commitment to myself to share that link no matter the outcome of the election, and for those who are looking for next steps, hopefully it can be useful:

Some upcoming opportunities, food-for-thought, and resources:

1. First, to contextualize everything else here, a few thoughts on what it means to recognize National Poetry Month during a genocide. What are the role(s) of poets in times of crisis? What are some concrete, specific things we can do, in the spaces we move through, with the audiences we have access to? A few tactics and resources in the link (it goes to a nine-slide IG carousel). Related:

2. Second: A few local appearances, online opportunities, and more coming up. So much of my work is on-the-road, at schools, colleges, and what basically amounts to “private” events. But these are ones that are more open. Details below:

a promo graphic for "midwest poetry mash-up: finals hosted by kyle tran myhre aka guante; get your tickets today: tinyurl.com/MashUp2024; April 19-20 at Strike Theater in MPLS.
a promo image for the unfold writing series: 2024 guest host: guante (kyle tran myhre) workshop: anthemic writing: monday, april 29, 7-9pm cdt. become a member: bit.ly/unfoldwriting
promo image for "out loud at the library" w/ sun yung shin, kyle tran myhre, kashimana ahua and desdamona: "free creative workshops led by artists throughout may; wednesdays from 6-7pm at the george latimer central library
Continue reading “National Poetry Month 2024 Links”

A collage of poem titles: What I Will by Suheir Hammad, If I Must Die by Refaat Alareer, Picking up Rocks by Rasha Abdulhadi, What is Home? by Mosab Abu Toha, Naturalized by Hala Alyan, Mismarked by Tariq Luthun, Don't Step on My Feet Again by Basman Aldirawi (via the book, Light in Gaza), Birthright by George Abraham, Antizionist Abecedarian by Sam Sax, Red Sea by Aurora Levins Morales

Kind of a National Poetry Month post. I’ve written about this before, so I’ll keep it short: it times of great crisis, I think poets have more to offer than poems. We should still write the poems, of course, but we can also “be mobilizers. We can be movement-builders. We can use our networks to spread information” and on and on. One way this plays out in our everyday work, for me at least, is the practice of kicking off events and performances by bringing someone else’s voice into the space.

I’ve done this here-and-there through my whole career, but it’s felt like a real necessity over the last five months. If I have 20-60 minutes of stage time at an event, I’m not really interested in just jumping into my own material. I want to acknowledge context. I want to acknowledge that the audience’s hearts might be in two places at once. Opening a show with a poem from a Palestinian poet is a small thing, a tiny thing, but I think it matters. A big part of my own pedagogical approach has been the idea that poems are excuses—they have value on their own, of course, but beyond that, they are footholds, opportunities for us to look at something we weren’t already looking at, to think deeply about something that would otherwise be ignored. If we’re not doing that as a bare minimum, what are we doing?

This post is just a list of links—both to short poems I’ve been returning to, over and over recently, and some articles/interviews on how poetry can be used in this moment. I use that word, used, intentionally. It’s not just about what we can say via poetry; it’s about what the process of writing and sharing poems can help build. Hope these can be useful:

A FEW POEMS

A note on the selections: Any time I make a topic-based list, the list is not exhaustive. This one does not feature every great Palestinian poet, or every poet who has written about war and peace (indeed, the ones listed here are not all by Palestinian poets, and they are not all from the last five months). The list is, very specifically, a small sampling of poems on this topic that have been useful to me in my work as a performer, educator, and facilitator. I’m less interested in the “best” poems, and more interested in poems that can be generative, that can lead to good conversations, and questions—poems that can open doors. There are so many others, and I’d encourage all of us to make these kinds of lists and share them.

Also, while there are a ton of books I could include here, I want to specifically shout out this anthology featuring multiple voices: Heaven Looks Like Us: Palestinian Poetry (edited by George Abraham and Noor Hindi)

A FEW OTHER LINKS

an IG post with the text "art for palestine challenge: for artists and art makers of all kinds to keep attention on palestine and help amplify palestinian voices! (1) write, illustrate, sing, play music, recite a poem about something you saw in the news or on a video about Palestine. You can also choose to amplify Palestinian voices by creating art based on their exact words. Make sure to give them credit and cite your source! (2) Post your creation and tag #ArtForPalestineChallenge
An IG post with the text “Share your art on and offline! Plaster your city! Ga*za is calling all creatives: use your art to tell the world the truth. With increasing censorship, your role as an artist is more important than ever. Tag @palestinianvoiestoday in your art & we will share.

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