The poem itself is really just me trying to write something for my 18 year-old self, illuminating the various arguments I’ve heard, from organizers over the years, about why and how voting matters. It’s very rarely “vote because you have to!” or “vote because it’s the only way you can have a voice!” The best arguments, or at least the ones that have been most persuasive to me, are more nuanced than that. Not that nuance is always my thing as a poet… but here’s the poem (and a link to an IG version):
Between the COVID-19 pandemic, the uprising in the wake of George Floyd’s murder by Minneapolis police, and the subsequent calls for defunding and abolishing police departments around the country, more and more people are imagining new possibilities, and committing to the work of making those possibilities real.
That work will include more protest, policy work, shifting resources, and leveraging power. It will also include education (popular, political, and otherwise). Of course, “reading books and having conversations” is not everything that needs to happen. But it does need to happen, especially in a moment where millions of people are fundamentally rethinking what policies are “common sense,” what policies are “radical,” and what policies they will commit to actively organizing around.
How might we bring these conversations into spaces in which they’re not already happening? How can we integrate them into our curricula, into our clubs and organizations, into our social media platforms, and beyond?
I think these are important questions. So for people who are interested or already engaged in that kind of education work, here are three books, three articles, and three poems I would recommend. I’m using the 3/3/3 format because there are hundreds of resources I want to share here, but I also know that can be overwhelming. Hopefully these can be starting points:
My earliest memory of masculinity is not a particle, it’s a wave. My earliest memory of masculinity is not a man, it’s a mask.
We had originally planned on having eight episodes in our first season, with the final episode being the live recording of the LIVE episode that we recorded a few months ago at the University of MN. Due to some audio/tech obstacles, we’re delaying that episode by two weeks and sharing this surprise mini-episode now.
As always, please feel free to subscribe (on Apple Podcasts, Spotify, all the usual platforms). If you really like it, please feel free to leave a review, and spread the word- share a favorite quote, or ask a question, or just share the link; we’ll be using the hashtag #WhatsGoodMan on Twitter and IG. Find our previous episodes here.
I resisted the siren song of starting a podcast for a really long time. But tony the scribe had some great ideas, and the overall issue of toxic masculinity is relevant to literally every crisis on earth right now. There’s a sense of urgency here, mixed with an impulse to really take some time to explore how this dominant/dominating narrative of manhood as power, control, and authority is so effective and so insidious. We’re only four episodes into the show (with a fifth coming on 1/1/20), and already have SO MANY MORE planned for the next season. Thanks so much to everyone who’s already tuned in. Related: a piece I wrote back in January called “How much profit is in your pain? On masculinity and outrage.”
2. “The Art of Taking the L” Zine and Video
Related to the podcast, this is a poem (and accompanying zine) that I’ve been working on for a while. Finally got a draft ready to share, and it’s available now both as a video (via Button Poetry) and as part of a BUNDLE of zines that are some of my favorite projects I’ve worked on.
3. Other New Videos
This was the first year in like a decade without any new music from me. But there has been some other cool stuff, including “The Art of Taking the L” and these other new videos:
We are the codes that our ancestors still speak in.
This is an older poem; I think I wrote this in 2013 or so. But having a new video of it (via Button Poetry) is a cool way to close out 2019. Like “A Pragmatist’s Guide to Magic,” and “A Pragmatist’s Guide to Revolution,” this is something I wrote for myself more than for any particular audience. Hope you like it, or that it can be valuable in some way to anyone else out there.
The subtitle is “what happens when you understand conflict, but don’t understand power,” something that, I have to say, is very, very relevant in today’s political discourse. This is a super weird, very specific poem, but I think it’s pointing at an issue that is definitely worth thinking critically about.
Related: This is part of an informal series of poems about POWER. I mean, all of my poems are about power in some way, but this series (which also includes Thoughts and Prayers, Pro-Life, and A Pragmatist’s Guide to Magic, are all very explicitly about power in the context of organizing. I hope they make more sense when experienced in proximity to one another.
I am beyond excited to release this new project. Aside from the new video, I’m collaborating with Button Poetry to release this exclusive bundle of zines featuring the new poem, plus zines I’ve worked on over the past couple years (and a blank one so you can make your own!), a signed note, and a surprise sticker or two. There are only 250 bundles available, so go get ’em.
A few more thoughts:
On Zine-Making Check out the ZINES link on this site for more information on each individual one, plus some background on the philosophy behind zine-making in general. One other note: these are all printed on 100% post-consumer waste recycled paper, at a union shop here in MPLS called Smart Set.
On “The Art of Taking the L” This poem/speech has gone through a ton of revisions, and may go through more. The original version of it was a commission- I was asked to share something at an event with a few hundred men in attendance, most of whom had not had a ton of conversations about “hegemonic masculinity” or whatever. So the piece is meant to be an entry point, a first step into these issues.
With that in mind, one specific impulse became clear. I knew that the piece couldn’t be judgy. It couldn’t be a “those guys over there are bad and these guys over here are good” kind of piece. It couldn’t be a commandment to act differently, because no one wants to listen to that. So instead, I tried to focus on the “commandments” that already exist, even if we don’t notice them. From that, the “narrative/counter-narrative” thread emerged. What stories do we tell about masculinity? About gender in general? What are the implications of those stories? Why do stories matter?
One could ask the same questions about race, class, nationality and citizenship, and a bunch of other identities. Maybe that’s a writing prompt. But especially today, we need to be paying attention to the stories being told to us… and the stories we’re telling.
On Connections To The “What’s Good, Man?” Podcast Of course, all of that relates directly to my OTHER new project, the upcoming podcast, “What’s Good, Man?” with Tony the Scribe. If you’re interested in this kind of critical masculinity, narrative/counter-narrative stuff, please check it out. We debut on Wednesday, November 6, and are having a LIVE episode recording that same evening at the UMN. Get details on all of that here.
Additional Resources, Poems, and Readings The “The Art of Taking the L” zine includes the full text of the poem, plus a bank of discussion questions, plus a bunch of cool resources. I’ll share those links here as well. Obviously, there are many more books and readings and poems that could be listed here, but part of making a zine is how you navigate the limited space. My thought is that these are a few resources that might be useful entry points. Feel free to add others in the comments!
BOOKS: • Feminism Is for Everybody: Passionate Politics: bell hooks • The Man They Wanted Me to Be: Jared Yates Sexton • Not that Bad: Dispatches from Rape Culture: Roxane Gay • Man Up: Reimagining Modern Manhood: Carlos Andrés Gómez • The Will to Change: Men, Masculinity, and Love: bell hooks • Know My Name: Chanel Miller
New over on Button Poetry’s channel: an a capella rendition of my two verses from the song “Matches.”
You may know it from the Sifu Hotman album, or from it being featured as the weather on an episode of Welcome to Night Vale. It’s kind of a personal “mission statement,” something that drives a lot of what I try to do. The full lyrics are available here.
The song wasn’t written about the climate crisis, but let’s talk about it. I’m thinking about this song in the context of today’s Global Climate Strike. Part of the song is about rejecting the narrative of the individual hero or revolutionary, and instead attempting to tap into something larger, something more communal, something more connected. Because when it comes to this work, individual action will not be enough. We need large-scale, sustainable policy change, the the mass movements that can drive that policy change. So that means joining organizations, donating to organizations, voting for candidates with bold plans to tackle the problem, pressuring the politicians who don’t, and dreaming bigger.
And yeah, if I recycle, use less plastic, and pick up litter at the park on the way there, that’s fine. But those actions are not a substitute for organizing. There’s a reason the song ends with “it’s a good thing we brought matches” and not “it’s a good thing I brought matches.”
Here in MN, today’s climate strike is sponsored by a bunch of organizations that are worth a follow, from MN350, to TakeAction MN, to MN Youth Climate Strike and beyond. Check out the “hosted by” list at the event page.
“And there is nothing revolutionary about fatalism. I suppose the question is, are you antifascist? Are you a revolutionary? Are you a defender of decency and life on Earth? Because no one who is any of those things has ever had the odds on their side. But you know what we do have? A meaningful existence on the edge of oblivion. And if the end really is only a few decades away, and no human intervention can stop it, then who do you want to be at the end of the world?”