Find even more resources for creative troublemakers here.

I’ve shared a lot of more serious content lately, from my thoughts on the upcoming mayoral election here in MPLS, to my new asynchronous class exploring political poetry, to this call for more anti-ICE art and media. Here’s something a little more informal and fun.

SEE MORE PERSPECTIVE and I wrote a song over that song that plays in Andor when Mon Mothma is spinning around in circles. The original track is called “Niamos! (Morlana Club Mix)” by Nicholas Britell (and I know, there are various mixes and remixes out there but that one was the base).

This is only going to be available as a live performance (and the in-studio video below) because it’s not like we can release it as an actual single. But here it is:

Thanks for listening. There will be more SECRET RIVERS soon. In the meantime, check out our conversation here!

a still from a video with the text "worthy of the stone" plus a SMP and KTM performing live in-studio.

This year was bad! But good work happens during bad years too. As is tradition: a few highlights from 2024, for people who are interested in what I do but may have missed something here or there.

photo of KTM/Guante performing at the Target Center in MPLS, surrounded by thousands of people.

Target Center performance + Grammy (!?)

It’s a long story, but as you may know, I’m on two songs by producer, vocalist, and multi-instrumentalist Fred Again. This year, I got to perform one of those songs, “Kyle (i found you),” with Fred during his MPLS tour stop at the Target Center. Absolutely surreal; that’s what the photo above is from. The other song, “Berwyn (all that I got is you),” is on Fred’s album “Actual Life 3,” which won the Grammy for Best Dance/Electronic Music Album back in February.

My friends try to tell me I should just go ahead and say that I’m “a Grammy-winning artist” since I’m a writer/performer on the album, but the humble midwesterner in me is going to run with “appears on a Grammy-winning album.” Either way, it’s kind of cool and not something I ever expected to happen.

Continue reading “2024 recap: New album, Target Center performance, Grammy (kind of), zines, videos, and more”

Surprise. The first new Guante & Big Cats album in over five years.

THE OFFICIAL BLURB: ‘All Dressed Up, No Funeral’ is a concept album about the climate crisis. But that doesn’t mean it’s a bunch of songs about trees or the importance of recycling—decorated indie Hip Hop duo Guante & Big Cats have crafted a furious, laser-focused rebuke to doomsaying, “abandon your posts”-style cynicism. This is an album about how while it is naive to believe that victory is inevitable, it is equally naive to believe that victory is impossible. It’s about how collective action can be healing, how grief can be a superpower, and how hope can—and often must—have sharp edges. 

Continue reading “All Dressed Up, No Funeral: Guante & Big Cats’ climate crisis concept album”

A few highlights from 2023, for people who are interested in my work but may have missed something here or there. It was a bit of a “between-projects” year for me (though I did mark the one-year anniversary of my book by making a section available to read online here), on top of the fact that self-promo has been the furthest thing from my mind over the last three months, but here are some links.

a photo of KTM projected onto a big screen at the Lollapalooza festival.
Text: "five notes for artists and musicians who want to speak out about Palestine but aren't sure how"
a photo (by Aaron Vincent Facundo) of KTM speaking at the University of Massachusetts Amherst
Continue reading “In Case You Missed It: 2023 Recap (and 2024 Booking)”

New music! 10 emcees, singers, poets, DJs & producers from 3 states RUNNING AMOK.

I’m excited to share this new project, helmed by production duo Scum & Villainy (two longtime friends and collaborators, SEE MORE PERSPECTIVE and Rube); I’m featured on six of the seventeen tracks, and it was so much fun to just share some verses (and a poem) and see how they ended up contributing to the actual songs.

The whole album is beautiful, in that it’s intentionally chaotic. The soundscapes, the multiple voices, the concepts—it all adds up to something that reminds me of my own entry point into Hip Hop: deeply collaborative, off-kilter, against-the-grain music from acts like Goodie Mob, Wu-Tang, De La Soul, and beyond. Not that this actually sounds anything like those groups, haha; it’s more about the spirit of it.

Get it on Bandcamp, and/or stream it wherever you listen to music.

A few personal highlights:

  • From track 3: We pledge allegiance to no nation, only the land underneath it / The reason, the culture that we breathe in / No banners, borders, or binaries to believe in…
  • From track 6: Now I’m full hearts, new mission before me / Future’s so bright we’re forced to share a photosensitivity warning
  • From track 12: They put the pedal to the metal and were gone, runnin’ free / But me, I’d rather meddle in some petals like a honey bee / And stay rooted and in tune with the hive / That scum and villainy vibe, that criminal life / of rhythm and rhyme when powers that be want want us to shut up / We use the power of bees, like buzz buzz buzz / Best line I ever wrote / won’t be taking questions, the comment section’s closed…
  • Also, tracks 4 and 9 feature reworked versions of poems from my book.
Ladies and gentlemen, friends of ALL genders: Welcome to the year of no surrender - guante
press any button to begin
as long as it’s not skip

Let’s clip through every wall, 
every border

  Our allegiance   
  is to the bugs 
  not the bosses

Player one take no losses, 
and give no quarter - guante
this is a love song,
a death rattle, a battle cry

  this is the ugly truth   
  instead of a beautiful lie

this is the point of the performance:

   they want us to forget it
  but fire is the   
  language we
  were born with - guante

Thanks to everyone checking it out. More new music on the way…

Why does this apocalypse feel so familiar?

New song, our first in five years! Get it wherever you listen to music (spotify, apple music, etc.), or right here. ***UPDATE: We’ve moved the link to this song to our NEW (2024) album; here it is:***

Official Blurb: In 2018, Minneapolis-based duo Guante & Big Cats released War Balloons, an album of anthemic, explicitly political, sci-fi-tinged indie Hip Hop. To mark the five-year anniversary of that project (and its reintroduction to streaming services after being missing for a time), they’re releasing an “extended version” featuring a brand new track, Roguelike.

Quick, somewhat related note: If you’re reading this post today (Saturday, June 17, 2023), come see me perform at the Stone Arch Bridge Festival tonight in Minneapolis. It won’t be a G&BC set, but I’ll be sharing poems and songs over See More Perspective’s live production. 6-7pm on the Cities 97 stage.

an album cover: purple jellyfish float in a dark sky over a nondescript horizon. The text reads "guante & big cats: war balloons (extended)"
a square featuring the text "roguelike: guante & big cats" plus an image of a person at the end of a dark tunnel.
Continue reading “Guante & Big Cats: ROGUELIKE (plus revisiting the War Balloons album)”

There is no light at the end of this tunnel/ so it’s a good thing we brought matches.

I haven’t released any music of my own since 2018’s “War Balloons” with Big Cats (although I did appear on those two Fred Again songs; find them here). Surprise! Here’s something new, a remix of “Matches.”

This is a piece of writing that has meant a lot to me over the years, the closest thing I have to a personal manifesto. It was originally part of a side project, so I’ve pretty much always performed just my own parts solo (often a capella), and had wanted to build a solo version of the song out of that for a long time. I guess good things take time, because Dave Olson is a musician I’ve liked and respected for 20 years (!) now; someone who was part of the very first community of artists that ever nurtured me, and it really feels special to collaborate with him on this song. Hope you like it.

Listen via: Bandcamp | Spotify | Apple Music

Music, Mixing, and Artwork by Dave Olson
Words by Kyle “Guante” Tran Myhre
Vocals Recorded by SEE MORE PERSPECTIVE at Luv ‘n’ Dedication Studio, St. Paul, MN

a child in silhouette against a city skyline, holding up a large match.
Continue reading “Matches (Olson Remix)”

“Right now, I feel a need for all of us to breathe fire.” –Alexandria Ocasio-Cortez

With more and more discourse lately (online and in real life) about how corrupt and out-of-touch the super-rich are, I wanted to share a few thoughts and links related to this song. “You Say ‘Millionaire’ Like It’s A Good Thing” has been around for a few years– the original version of the song is available here, and the lyrics are included in my book. This remix, courtesy of Big Cats, is the song’s Final Form– a lean, focused burst of venom directed at the rich.

As a writer and as an activist, I’m really interested in the power of language to reframe issues. It’s important to write songs and poems that describe poverty, that tell our stories, and that call us to action toward economic justice; this song, however, was an attempt to do something a little more specific: to reframe the accumulation of wealth as something that is not just “an unfortunate side effect of the system,” but rather as something that is *morally* reprehensible.

There are caveats; I’m reminded of Jay-Z’s “If you grew up with holes in your zapatos/ you’d celebrate the minute you was having dough.” The argument here isn’t that all rich people are “bad” on an individual level (although many absolutely are!); it’s that a system that makes it possible for the distribution of wealth to be so extremely, so obscenely skewed is flat-out wrong. It is directly responsible for the death and suffering of too many people.

And sure, we can have conversations about how wealth is relative, how even working class people in the US “have it better” than x, y, or z other group… but that’s part of the point of the song too– there’s a point where that relativity fails. Maybe it’s not at a million dollars exactly; but somewhere on the wealth spectrum, earning becomes hoarding. Need becomes greed. Here are some articles that go more in-depth; I hope they can be useful, especially as so many of us are watching the 2020 candidates navigate this issue:

Christopher Ingraham: “Wealth concentration returning to ‘levels last seen during the Roaring Twenties,’ according to new research” (Washington Post): “American wealth is highly unevenly distributed, much more so than income. According to Zucman’s latest calculations, today the top 0.1 percent of the population has captured nearly 20 percent of the nation’s wealth, giving them a greater slice of the American pie than the bottom 80 percent of the population combined.”

Farhad Manjoo: “Abolish Billionaires” (NYT): “But the adulation we heap upon billionaires obscures the plain moral quandary at the center of their wealth: Why should anyone have a billion dollars, why should anyone be proud to brandish their billions, when there is so much suffering in the world?”

Sophie Weiner: “AOC: A Society With Billionaires Cannot Be Moral” (Splinter): “‘The question of marginal tax rates is a policy question but it’s also a moral question,’ Ocasio-Cortez said. ‘What kind of society do we want to live in? Are we comfortable with a society where someone can have a personal helipad while this city is experiencing the highest levels of poverty and homelessness since the Great Depression?'”

A.Q. Smith: “It’s Basically Just Immoral To Be Rich” (Current Affairs): “It is not justifiable to retain vast wealth. This is because that wealth has the potential to help people who are suffering, and by not helping them you are letting them suffer. It does not make a difference whether you earned the vast wealth. The point is that you have it. And whether or not we should raise the tax rates, or cap CEO pay, or rearrange the economic system, we should all be able to acknowledge, before we discuss anything else, that it is immoral to be rich. That much is clear.”

Charles Mathewes and Evan Sandsmark: “Being rich wrecks your soul. We used to know that.” (Washington Post): “As stratospheric salaries became increasingly common, and as the stigma of wildly disproportionate pay faded, the moral hazards of wealth were largely forgotten. But it’s time to put the apologists for plutocracy back on the defensive, where they belong — not least for their own sake. After all, the Buddha, Aristotle, Jesus, the Koran, Jimmy Stewart, Pope Francis and now even science all agree: If you are wealthy and are reading this, give away your money as fast as you can.”

Emmie Martin: “Here’s how much money you need to be happy, according to a new analysis by wealth experts” (CNBC): “‘The lower a person’s annual income falls below that benchmark, the unhappier he or she feels. But no matter how much more than $75,000 people make, they don’t report any greater degree of happiness,’ Time reported in 2010, citing a study from Princeton University conducted by economist Angus Deaton and psychologist Daniel Kahneman.”

Jesus, in the Bible: “How hard it is for the rich to enter the kingdom of God! Indeed, it is easier for a camel to go through the eye of a needle than for someone who is rich to enter the kingdom of God.”