“We are more than the materials with which we have been built”
Here’s the transcript:Continue reading “New Video: “An Open Letter to Pinocchio from Dracula””
“We are more than the materials with which we have been built”
Here’s the transcript:Continue reading “New Video: “An Open Letter to Pinocchio from Dracula””
More of an on-the-road year than a release-lots-of-new-stuff year, but here’s the stuff I did help create this year, in case anyone is interested and missed any of it.
I resisted the siren song of starting a podcast for a really long time. But tony the scribe had some great ideas, and the overall issue of toxic masculinity is relevant to literally every crisis on earth right now. There’s a sense of urgency here, mixed with an impulse to really take some time to explore how this dominant/dominating narrative of manhood as power, control, and authority is so effective and so insidious. We’re only four episodes into the show (with a fifth coming on 1/1/20), and already have SO MANY MORE planned for the next season. Thanks so much to everyone who’s already tuned in. Related: a piece I wrote back in January called “How much profit is in your pain? On masculinity and outrage.”
Related to the podcast, this is a poem (and accompanying zine) that I’ve been working on for a while. Finally got a draft ready to share, and it’s available now both as a video (via Button Poetry) and as part of a BUNDLE of zines that are some of my favorite projects I’ve worked on.
This was the first year in like a decade without any new music from me. But there has been some other cool stuff, including “The Art of Taking the L” and these other new videos:
An a capella performance of my two verses from “Matches” by Sifu Hotman.
“10 Excerpts From New York Times Op-Eds in Fictional Realities,” a poem subtitled “what happens when you understand conflict, but don’t understand power.”
New footage/performance of an older poem of mine, “A Pragmatist’s Guide to Faith,” about history and happenstance and struggle.
Finally, this UK producer (Fred again..) sampled a snippet of one of my poems for this beautiful song and video. It’s also available on Spotify and elsewhere:
My whole book is available now as audio, recorded by me (and engineered by longtime collaborator Big Cats)!
Some other stuff:
Lots planned for 2020. Lots more will be happening beyond those plans. Let’s be ready.
We are the codes that our ancestors still speak in.
This is an older poem; I think I wrote this in 2013 or so. But having a new video of it (via Button Poetry) is a cool way to close out 2019. Like “A Pragmatist’s Guide to Magic,” and “A Pragmatist’s Guide to Revolution,” this is something I wrote for myself more than for any particular audience. Hope you like it, or that it can be valuable in some way to anyone else out there.
The words:Continue reading “New Video for “A Pragmatist’s Guide to Faith””
This is a poem I wrote back in January. You can find the full text at that link.
The subtitle is “what happens when you understand conflict, but don’t understand power,” something that, I have to say, is very, very relevant in today’s political discourse. This is a super weird, very specific poem, but I think it’s pointing at an issue that is definitely worth thinking critically about.
Related: This is part of an informal series of poems about POWER. I mean, all of my poems are about power in some way, but this series (which also includes Thoughts and Prayers, Pro-Life, and A Pragmatist’s Guide to Magic, are all very explicitly about power in the context of organizing. I hope they make more sense when experienced in proximity to one another.
“My earliest memory of masculinity is not a particle, it’s a wave. My earliest memory of masculinity is not a man, it’s a mask.”
**UPDATE (2/12/20): Check out some fantastic audio of this full poem as part of the #WhatsGoodMan podcast!**
I am beyond excited to release this new project. Aside from the new video, I’m collaborating with Button Poetry to release this exclusive bundle of zines featuring the new poem, plus zines I’ve worked on over the past couple years (and a blank one so you can make your own!), a signed note, and a surprise sticker or two. There are only 250 bundles available, so go get ’em.
A few more thoughts:
Check out the ZINES link on this site for more information on each individual one, plus some background on the philosophy behind zine-making in general. One other note: these are all printed on 100% post-consumer waste recycled paper, at a union shop here in MPLS called Smart Set.
On “The Art of Taking the L”
This poem/speech has gone through a ton of revisions, and may go through more. The original version of it was a commission- I was asked to share something at an event with a few hundred men in attendance, most of whom had not had a ton of conversations about “hegemonic masculinity” or whatever. So the piece is meant to be an entry point, a first step into these issues.
With that in mind, one specific impulse became clear. I knew that the piece couldn’t be judgy. It couldn’t be a “those guys over there are bad and these guys over here are good” kind of piece. It couldn’t be a commandment to act differently, because no one wants to listen to that. So instead, I tried to focus on the “commandments” that already exist, even if we don’t notice them. From that, the “narrative/counter-narrative” thread emerged. What stories do we tell about masculinity? About gender in general? What are the implications of those stories? Why do stories matter?
One could ask the same questions about race, class, nationality and citizenship, and a bunch of other identities. Maybe that’s a writing prompt. But especially today, we need to be paying attention to the stories being told to us… and the stories we’re telling.
On Connections To The “What’s Good, Man?” Podcast
Of course, all of that relates directly to my OTHER new project, the upcoming podcast, “What’s Good, Man?” with Tony the Scribe. If you’re interested in this kind of critical masculinity, narrative/counter-narrative stuff, please check it out. We debut on Wednesday, November 6, and are having a LIVE episode recording that same evening at the UMN. Get details on all of that here.
Additional Resources, Poems, and Readings
The “The Art of Taking the L” zine includes the full text of the poem, plus a bank of discussion questions, plus a bunch of cool resources. I’ll share those links here as well. Obviously, there are many more books and readings and poems that could be listed here, but part of making a zine is how you navigate the limited space. My thought is that these are a few resources that might be useful entry points. Feel free to add others in the comments!
ARTICLES AND VIDEOS AVAILABLE ONLINE:
• Relinquishing the Patriarchy: adrienne maree brown
• A Call to Men: Tony Porter
• Violence Against Women—It’s a Men’s Issue: Jackson Katz
• Don’t Blame Mental Illness for Mass Shootings; Blame Men: Laura Kiesel
• The Boys Are Not All Right: Michael Ian Black
• Queer and Trans 101 statement at www.reclaim.care
• The Mask You Live In and Tough Guise (documentaries)
• Feminism Is for Everybody: Passionate Politics: bell hooks
• The Man They Wanted Me to Be: Jared Yates Sexton
• Not that Bad: Dispatches from Rape Culture: Roxane Gay
• Man Up: Reimagining Modern Manhood: Carlos Andrés Gómez
• The Will to Change: Men, Masculinity, and Love: bell hooks
• Know My Name: Chanel Miller
• The Heart and the Fist: Rudy Francisco
• Masculinity So Fragile: FreeQuency
• Baby Brother: Javon Johnson
• I use my poetry to confront the violence against women: Elizabeth Acevedo
• Shrinking Women: Lily Myers
• Masculinity: Alex Luu & Jessica Romoff
• Genderlect: Donte Collins
• Ten Responses to the Phrase “Man Up”: Guante
• Handshakes: Guante
• Find many more poems on this and other issues in this curated list.
FULL TRANSCRIPT BELOWContinue reading “THE ART OF TAKING THE L: New Video and Zine Bundle Available via Button Poetry!”
New over on Button Poetry’s channel: an a capella rendition of my two verses from the song “Matches.”
You may know it from the Sifu Hotman album, or from it being featured as the weather on an episode of Welcome to Night Vale. It’s kind of a personal “mission statement,” something that drives a lot of what I try to do. The full lyrics are available here.
The song wasn’t written about the climate crisis, but let’s talk about it.
I’m thinking about this song in the context of today’s Global Climate Strike. Part of the song is about rejecting the narrative of the individual hero or revolutionary, and instead attempting to tap into something larger, something more communal, something more connected. Because when it comes to this work, individual action will not be enough. We need large-scale, sustainable policy change, the the mass movements that can drive that policy change. So that means joining organizations, donating to organizations, voting for candidates with bold plans to tackle the problem, pressuring the politicians who don’t, and dreaming bigger.
And yeah, if I recycle, use less plastic, and pick up litter at the park on the way there, that’s fine. But those actions are not a substitute for organizing. There’s a reason the song ends with “it’s a good thing we brought matches” and not “it’s a good thing I brought matches.”
Here in MN, today’s climate strike is sponsored by a bunch of organizations that are worth a follow, from MN350, to TakeAction MN, to MN Youth Climate Strike and beyond. Check out the “hosted by” list at the event page.
I’d also recommend checking out poet Bernard Ferguson’s fantastic “Hurricane Dorian Was a Climate Injustice” in the New Yorker, on the difference between unavoidable tragedy and avoidable injustice. Also, this profile of MN’s own Isra Hirsi, who makes vital connections between environmental justice and racial justice.
“Who do you want to be at the end of the world?”
When it comes to the climate crisis, there’s one essay I recommend everyone read: Kelly Hayes‘ “Saturday Afternoon Thoughts on the Apocalypse.” THIS QUOTE:
“And there is nothing revolutionary about fatalism. I suppose the question is, are you antifascist? Are you a revolutionary? Are you a defender of decency and life on Earth? Because no one who is any of those things has ever had the odds on their side. But you know what we do have? A meaningful existence on the edge of oblivion. And if the end really is only a few decades away, and no human intervention can stop it, then who do you want to be at the end of the world?”
“How loud do you have to be to put out a house fire with just your voice?”
Yeah, the title is in scare quotes. Hopefully that comes through. As I often do with two poems, I wanted to share a few notes on process, and then some poems by other writers that tackle the topic in different ways.
A Few Notes on Process
This is a poem about a specific issue, but it’s also a poem that is exploring a couple different impulses:
I don’t have a lot of faith in the power of poems to changes minds, especially about issues like abortion rights. That being said, poems can do so many other things. They can open up spaces for dialogue, they can provide useful frameworks or metaphors for understanding, they can contribute in ways both large and small to the ongoing push-and-pull of how the larger culture frames and understands complex issues, and they can plant seeds (while watering other seeds that have already been planted!)
More Poems and Resources on Reproductive Justice
This summer, I’ve been sharing my lists a lot: poems about white supremacy, poems about toxic masculinity, poems that have been useful to me in educational spaces. The idea is that hopefully, teachers and other educators can use these poems as entry points to dialogue.
A lot of those lists pull from this bigger list of spoken word poems organized by topic. I don’t have a specific list of poems on reproductive justice yet, but this is as good a time as any to start one. If you know of others, please share in the comments! Here are a few:
Finally, these aren’t poems, but if there’s anyone for whom this is a new issue, or you’d just like to learn more, or get involved, a few links:
Thank you! Please feel free to share. Full transcript:Continue reading “New Poem: “Pro-Life” + Other Poems on Reproductive Justice”
Some other big news on the way, but just a quick update: you can now listen to my book! I did the voiceover myself, in Big Cats’ studio.
One part mixtape, one part disorientation guide, and one part career retrospective, this book brings together spoken word poems, song lyrics, and essays from the past decade of Guante’s work. From the exploration of toxic masculinity in “Ten Responses to the Phrase ‘Man Up’,” to the throwback humanist hip hop of “Matches,” to a one-act play on the racial and cultural politics of Eminem, “A Love Song, A Death Rattle, A Battle Cry” is a practitioners eye-view of the intersections of hip hop, poetry, and social justice.
Spoken word isn’t about a handful of “great” artists who have lots of video views or publishing accolades; it’s about how everyone has a story, and every story has value.
In that spirit, I wanted to consolidate a few resources, links, and tips that I’ve shared with young (and not-so-young) people all over the country. If YOU are interested in spoken word (or poetry, writing, art, more generally), whether that means finding somewhere to share your work, getting feedback to sharpen your craft, or just being around poets and building community, here are a few thoughts. Feel free to add more in the comments below.
1. Show Up: Attend an Open Mic or Poetry Slam
One of the best ways to get involved is to simply dive in—whether as a performer or just as an audience member. Spoken word is built around open mics, poetry slams, and other spaces in which anyone can show up and share something. While I realize that not everyone reading this lives in the Twin Cities, here is my big list of Twin Cities open mics, slams, and other opportunities. If you’re here, use it. If you’re not here, do a little searching and find the similar events in your community. Specifically, I want to shout out two of TruArtSpeaks‘ programs:
2. Build Your Cypher: Connect with Other Writers
Writing is about community. Many high schools and colleges have spoken word clubs, and showing up to those can be a great first step. If you’re a student and your school doesn’t have one, start one!
It doesn’t have to be as formal as a club or student organization. What counts is community—maybe it’s just a circle of friends who meet up once a week to give each other feedback. Maybe it’s an online document that multiple people can edit. But getting feedback from other writers, having someone to bounce ideas around with (and not just trade Instagram likes)—that’s vital.
Revision is 85% of the battle. First drafts are not ever as good as they potentially could be. Break out of the mindset that the poem is this magical, perfect thing that just bursts fully-formed from your head. Your peers, friends, and mentors can have a lot to offer.
3. Read More, Watch More, Write More
The deluge of poetry on Instagram and YouTube over the past five years or so has meant that there’s more poetry than ever before, right at your fingertips. I’d argue that this is a good thing, but the flipside is that there’s a lot of not-so-great work out there too. That’s natural; that’s fine. But it can make learning and growing as an artist a challenge: is the IG poem with ten thousand likes a “good” poem? Is your poem, that didn’t win the poetry slam, a “bad” poem? What does that even mean?
There aren’t easy answers to those questions, if there are answers at all. The key is to never stop developing your critical eye/ear. This is work. Almost every poet or artist I know whom I would call successful has years and years of work under their belts. That work doesn’t have to be some fancy, inaccessible degree or whatever– but it does have to be work. That work can be fun, though. Here are a few thoughts and resources:
4. Take Advantage of Opportunities to Sharpen Your Craft
For artists, growth can happen both inside and outside of formal spaces. Classes, workshops, conferences, festivals, cyphers, e-classes– wherever you can find that support, take advantage of it. Again, to use the Twin Cities as an example, a few shout outs:
5. My Video Series on Spoken Word Tips, Tools, and TacticsIf the opportunities in the last point aren’t as accessible to you– there are some good tools on the internet too. This video series is about sharing some of the ideas that have been helpful to me as a writer and performer. Honestly, when people send me their poems for feedback, 95% of the time, my feedback is based on video #2 and video #5. More videos on the way.
A running theme through all of these points is the idea that craft matters. Of course, if you’re just writing poetry for your own healing or enjoyment, whether some other poet or critic likes it or not is beside the point. But if you’re someone who is trying to make a career out of it, or really wants to find some measure of concrete success (book sales, publishing credits, a larger audience, etc.), then I hope these links, thoughts, and resources can be useful.
(BONUS POINT) 6. Live Your Life
Writing is important, but the best poems don’t come from locking ourselves away in a cabin and just writing for 20 hours every day. They come from engaging with our community, showing up to things, experiencing the world, having conversations, organizing and rabble-rousing, thinking critically, and then writing. Have fun.
(BONUS POINT) 7. Quick/Basic Writing Advice
There isn’t enough space here to go too in-depth with writing tips, but if I could share anything with an aspiring poet, it’d be this. The poems that stick with me…
Check out the zine for more!